How to Write a Summary of an Article? Philip Gefter In the world of art, the photograph has conventionally been used to establish original subjects that document and reflect cultures as accurately as possible.
The following texts are adapted from gallery labels by Philip Gefter, guest curator of the exhibition.
Creative Time A non-profit Philip gefter organization founded inCreative Time promotes and supports public art. Utilizing unconventional and often overlooked spaces in New York City and elsewhere, Creative Time commissions artists to create installations and artworks that trigger dynamic conversations between site, audience, and context.
Between andit sponsored Art on the Beach, an annual summer exhibition held outdoors on the sandy dunes of a landfill bank of the Hudson River, the future location of Battery Park City.
Drawing inspiration from the Earthworks movement, which saw artists such as Walter De Maria, Michael Heizer, and Robert Smithson making site-specific works from the natural landscape, Art on the Beach provided a temporary public venue for site-specific installations that were sculptural, architectural, and theatrical.
Artists often collaborated across disciplines: Many used everyday objects such as refrigerators and mirrors to create sculptural monuments or construct architectural environments against the Philip gefter skyline. This wide-ranging experimentation was invariably steeped in humor.
Dropped by a helicopter into the installation, Magnuson performed as a variety of characters from popular media, including a singing televangelist. With its view of Manhattan from across the East River, the new location provided a stimulus for many of the participating artists.
His photographs of rehearsals and staged events were featured regularly in the Soho Weekly News. Often illuminating and at times lyrical, his documentation of the post-modern dance movement and its original choreographers—frequently captured in the process of working with dancers—includes Trisha Brown, Lucinda Childs, Meredith Monk, Steve Paxton, and Yvonne Rainer.
Alexander studied film as well as photography, and motion remains a key visual element in his work. In still photographs, he explored movement through multiple images of the same dance piece, for instance, presenting his documentation in diptychs and triptychs, or employing a filmstrip format for consecutive views.
In addition to documenting performances, Alexander made playful portraits, self-portraits, and street photographs that also reflect his artistic curiosity and visual sensitivity. His work exemplifies the burst of creative energy that appeared at the precise moment when the medium of photography was garnering unprecedented art-world respect.
Robert Alexander, Self-Portrait, n. Gelatin silver print, 8 x 10 in. Departing from classical representa-tions of the human figure, his pictures of friends and acquaintances possess the informal snapshot aesthetic typical of photography of the period.
In these pictures, he explored the nude figure and sadomasochism with hyperbole and wit, driven by his own erotic desire and rendered in a kind of punk surrealism. Jimmy De Sana, Untitled, from the series Nudes,republished The name Mabou Mines derives from a mining town in Novia Scotia, where members of the group settled for a short time to explore the ideas that would establish their new company.
Known for its experimental and minimalist theater pieces, Mabou Mines traces its roots to the conceptual art world as much as to performance. The company has produced six world premiers of texts by Beckett that were not originally intended for the theater.
Mabou Mines Archive Fred W. It spawned similar parades in cities throughout the United States and around the world. McDarrah documented the march every year from its inception. The first staff photographer for theVillage Voice, he served as picture editor from the mids.
He chronicled Beat Generation poets and writers; the folk musicians who gathered around Washington Square in the early s, including Bob Dylan and Joan Baez; Vietnam War demonstrations and anti-AIDS rallies; and every other social protest that took place Downtown—and sometimes Uptown, too.The following texts are adapted from gallery labels by Philip Gefter, guest curator of the exhibition.
Creative Time A non-profit arts organization founded in , . Mar 31, · Richard Press and Philip Gefter WHAT For nearly half a century, legendary photographer Bill Cunningham has been documenting street style and New York society, publishing his work in The New York Times since Philip Gefter writes about photography for The Daily Beast.
He previously wrote about the subject for The New York Times. His book of essays, Photography After Frank, was published by Aperture. A New York Times piece by Philip Gefter accurately describes Disfarmer’s photographs as “American Gothic,” disenchanted and real, portraying a slice of American .
Award-winning news and culture, features breaking news, in-depth reporting and criticism on politics, business, entertainment and technology. The Producers Guild of America rounded up an eclectic group of films -- ranging from the silent movie The Artist to the epic battle tale War Horse-- as it announced its nominees Tuesday morning.