Tolkienwhich was later fitted as a trilogy. The story began as a sequel to Tolkien's earlier fantasy book The Hobbit and soon developed into a much larger story.
Antitheses[ edit ] "No careful reader of Tolkien's fiction can fail to be aware of the polarities that give it form and fiction,"  writes Verlyn Flieger. Tolkien's extensive use of duality and parallelism, contrast and opposition is found throughout the novel, in hope and despair, knowledge and enlightenment, death and immortality, fate and free will.
One famous example is the often criticized polarity between Good and Evil in Tolkien. Orcs, the most maligned of races, are a corruption of the mystically exalted race of the Elves. These antitheses, though pronounced and prolific, are sometimes seen to be too polarizing, but they have also been argued to be at the heart of the structure of the entire story.
Tolkien's technique has been seen to "confer literality on what would in the primary world be called metaphor and then to illustrate [in his secondary world] the process by which the literal becomes metaphoric. Writing in The Christian World of the Hobbit, for example, author Davin Brown cites Tolkien's belief in "the ennoblement of the ignoble", and goes on to link the importance of Tolkien's more unseeming characters with Jesus's words on "the meek" in the Sermon on the Mount.
Likewise, though Tolkien's magic, immortal elves seem to act as an idealized version of a comparatively lowly humankind, their inability to accept change causes a "deep nostalgia for [an] edenic past", which in turn becomes their "great folly". Which is hardly more than to say it is a tale written by a Man!
The Elves never die of old age and are resistant to disease, though they can be slain in battle or die by similar means; however, even when their bodies perish, their spirits travel to the Halls of Mandos in Amanand eventually can be "reincarnated" into life.
They are thus bound to the world, and can grow weary of it as they wane in prominence, watching the decline of their lands. In contrast, Tolkien leaves the fate of Men uncertain.
This leads to some form of fear for Men, who do not understand what truly happens at death and fear it as a result.
Across all of Tolkien's works, the desire to escape death is shown to lead to evil. They later attempt to conquer the hallowed, "Undying Lands" of Aman from the Valarleading to their destruction. Sauron's Rings of Power also promise immortality to Men, yet in the process turns them into Ringwraithsundying but not truly living either.
The corruption of power and addiction[ edit ] The Lord of the Rings centres around the corrupting influence of the One Ring. Author of the Century. In this chapter, titled, "The Lord of the Rings 2: Concepts of Evil" pp —Shippey notes that what lies at the heart of the story is the assertions made by Gandalf about the power and influence of the One Ring, and the corrupting influence it has on its bearers.
Gandalf rejects the Ring after Frodo offers it to him, and this view of the nature of the Ring is reinforced as ElrondGaladrielAragorn and Faramir in their turn, also reject the Ring, supposedly fearing the fact that it will ultimately create wicked desires within them.
Inversely, the hobbits' complacency and lack of ambition appears to make them less susceptible to the Ring's promises of power, as is seen in Frodo and Samboth of whom are able to handle the Ring for extended periods of time.
It is of note that hobbits are not totally immune to the Ring's effects, however, as is seen most clearly in Frodo, Bilbo and, arguably, Gollum. This is, according to Shippey, a very modern, 20th-century theme, since in earlier, medieval times, power was considered to "reveal character", not alter it.
Shippey mentions Lord Acton 's famous statement inthat "Power tends to corrupt, and absolute power corrupts absolutely.
Great men are almost always bad men White with The Once and Future King In The RepublicGlaucon argues that doing justice to others is never to one's benefit; he cites the mythical Ring of Gygesa ring which could make any man who wore it invisible and thus able to get away with any theft or other crime.
Glaucon claims that such power would corrupt any man, and that therefore no man truly believes that acting justly toward others is good for him.
Manlove points out that Tolkien is not consistent in his attitude towards power, for there are exceptions to the supposedly overwhelming influence of the Ring. The Ring can be handed over relatively easily Sam and Bilboand removing the Ring by force Gollum to Frodo does not, despite Gandalf's assertion at the beginning of the story, break Frodo's mind.
The Ring also appears to have little effect on characters such as AragornLegolas and Gimli.Maybe obvious but worth making explicit: there are potential spoilers in the fine details below. MS Paint Adventures: Statistics. There is a (MATHS) % chance of deriving far too many numbers about MSPA.
After a brief hiatus, Sci Fi Onscreen returns with an epic podcast series to rival the films it is covering. This is the first part of a three-part series covering the extended editions of Peter Jackson’s Lord of the Rings.
The Music of Middle Earth - an Analysis on the Use of Music in the Film: "the Lord of the Rings: the Fellowship of the Ring" By Stuart Heimdal The Lord of the Rings: The Fellowship of the Ring was the first movie in the Lord of the Rings Trilogy, based on the popular fantasy books written by J.R.
R. Tolkein. The movie was a blockbuster hit at . Essay: Lord of the Rings: Analysis Imagine yourself in a pre-industrial world full of mystery and magic.
Imagine a world full of monsters, demons, and danger, as well as a world full of friends, fairies, good wizards, and adventure. The Lord of the Rings, The Fellowship of the Rings, is a perfect example of a quest with Frodo (the quester) as the one chosen to take the ring to Mordor (the place to go).
Along the way, there are dangers a plenty. Statistics on the demography of Middle-earth based on LotrProject's extensive database of characters. Based on characters from the Hobbit, Lord of the Rings and Tolkien's posthumously published works including the Silmarillion.